Orbit is an ongoing body of work in which images are organized through proximity, recurrence, and suspension rather than narrative sequence or hierarchical order. Composed through photographic collage, the series approaches images as relational structures that remain in motion, circling one another without resolving into a fixed center or singular meaning.
Drawing on archival photographic material, Orbit brings bodies, objects, and environments into a shared perceptual field where scale, orientation, and temporal register are destabilized. Human presence appears indirectly or fragmentarily, no longer positioned as a focal subject but as one element among others within a wider constellation. Images do not function as representations to be decoded, but as sites where attention is redistributed and meaning emerges through duration rather than clarity.
Formally, the work resists visual closure through strategies of fragmentation, cropping, layering, and spatial displacement. These interventions do not negate the reality of the photographic image, but loosen its authority, allowing multiple temporalities and perceptual states to coexist. Presented as an evolving installation, the works are arranged in loose, cloud-like configurations that emphasize relation over sequence, extending the logic of collage into space.
In Orbit, photography operates as a threshold rather than a fixed image-object. The series proposes perception as a dynamic process—one that unfolds through movement, hesitation, and partial access—inviting the viewer to navigate the work without being directed toward resolution or completion.
