ABOUT
My practice examines perception as something that is shaped and regulated, rather than neutral or continuous. Working across photography, collage, video, and installation, I investigate how images organize attention and guide meaning toward clarity and resolution, and how these processes can be disrupted.
I work with visually unremarkable or transitional scenes, as well as found imagery designed for efficiency, persuasion and illustration. Through strategies such as obstruction, misalignment, and interruption, the work interferes with points of recognition and completion. Rather than offering clarity or alternative meanings, the practice restricts interpretation, slowing perception and holding it in states of tension and partial access.
Across media, the work resists immediacy and visual fluency, positioning images as sites where habitual ways of seeing break down and dominant expectations of clarity, efficiency, and coherence are refused.
