Residual Fields is an ongoing artistic research project that uses photography, video, and installation to explore perception as a spatial and temporal condition. The project investigates how images can remain present without directing interpretation, allowing attention to circulate without settling into narrative or closure.
The work focuses on everyday spatial situations—architectural fragments, reflective surfaces, thresholds, infrastructural elements, and residual objects—approached not as subjects but as conditions of seeing. Through careful placement and alignment of surfaces, space is organized laterally rather than hierarchically. Depth remains present but unprivileged, and no single element asserts visual or narrative authority.
Across still and moving images, as well as spatial presentation, the works function as perceptual fields rather than representations of events. Time is treated as irrelevant rather than progressive, and subtle shifts in light, reflection, and position become operative without accumulating meaning. Grounded in the indexical reality of the world, Residual Fields proposes image-making as an active operation that sustains perceptual openness while resisting narrative instruction and photographic romanticism.
The project began in 2026 and is currently in its first stage of iteration, focusing on testing perceptual conditions across image, material, and spatial presentation.
